Coming Back Christmas

 

Christmas at Phoenix Cove

One must leave one’s mountains
one must descend early in the day
through ice and snow, fog banks,
ripped up trees and branches helter-skelter,
one must leave one’s silent warm cabin on Christmas
and descend through the trees
down the long grade in fog, way down.
One must leave one’s silent cabin full of fire, full of sadness,
silent, remembering,
on Christmas one must come to family,
come down through the trees 

while smoke curls up through the woods,
come down to help old Tante by her stove,
down to a place with children, with messes,
with pots and pans helter-skelter  in Tante’s kitchen,
where there will be singing and jigs playing,
“Ihr Kinderlein kommet” and the Crist-kindl,
chocolates in tree branches and sooty fingers,
the old stove that pops and moans,
family groaning around the table,
with resentments, accomplishments, aches and pains,
medicines and red wine and forgotten addresses,
all of us elbow-to-elbow, hunters and hairdressers,
poets and plumbers,
day-to-day survivors making do.
One must come in a hurry on Christmas,
come gladly to the loud rooms of one’s family,
full of judgments and kind advice,
full of wariness and unspoken joys.
One must remember to leave one’s quiet warm cabin 

full of sadness
and come down each Christmas, be pulled magnetic 

 to let one’s heart warm again unbidden,
with no plan, just you, and nothing else.

Annelinde Metzner
December 25, 2005
Phoenix Cove 

Star the Cat in the snow

My grief, my love for the world

 

Balinese dancer

I watch the dancer, one arm framing her face,
one hip drawing upward in the belly’s rhythm.
The dance of mature women, Raqs Sharqi,
born of the sensuous music of the Middle East.
Her hips pull us into infinity,
an inward-outward shout of beauty and desire.

In Cameroon, babies learn music
while strapped to Mama’s back.
Coming of age, boys leap high,
beaming with the village’s newfound respect.

In Bali, the gamelan orchestra cues the dancer
with clangs and thumps,
the bodies telling stories of monsters and gods,
each movement of eyes, and fingers, and feet
a perfectly timed posture of sacred geometry.

Oh humans, oh, humans, can’t you love all this?
Can’t you love the way we’ve created the world,
each culture born of each unique place,
and each of us expressing in our own way?
Doesn’t this beauty tear at your heart,
that everywhere we draw up our Earth’s strength
through our feet, through our hands,
and we thank Her with leaps and turns,
ecstatic to be stretching our bounds?

Oh people of our Earth, can’t you love all this?
The exquisite mudras of Bharat Natyam,
nuances of the courtship of Radha and Krishna, her love?
The kibbutz youth, leaping to dumbek and flute,
‘til joy bursts like fireworks from the chest?

Oh humans, oh infinite diversity,
aren’t you breathtaken, aren’t you amazed?
don’t you treasure each other, for the vastness
of what, together, we are?

Annelinde Metzner
Black Mountain
August 23, 2014

     Grateful that this poem will appear in the We'Moon Datebook for 2020, and I will feature it this Sunday at the Unitarian Universalist Congregation of the Swannanoa Valley. 

  (Update-  this poem appears this week, December 14 to 18, 2020.)

Boys practice drumming in Cameroon

Dancers on an Israeli kibbutz

Raqs Farqi, belly dancer

Bharat Natyam dancer of India playing Krishna's flute

La Reina de America

 

Nuestra Senora de Guadalupe, all photos by Sylvia Ponce

We honored our Great Mother,
Queen of the Americas,
filling the largest stadium in Charlotte with our joy.
There She was, emblazoned with gold and light,
Her joyous followers gathered in love.
The people danced, children and elders,
sturdy young men leaping and stamping,
bright colors flashing.  For Her!  For Her!
Quietly She gazed as group after group
paid homage to Her with their dances and their prayers.
The men sang, the musicians played.
Tears streamed down my face.
“This is my world,” my soul was whispering,
my roughed-up soul, who had seen such deceit,
my soul who had come face-to-face so recently
with disrespect, violence, viciousness and lies.
“This is my world,” She whispered to me,
pouring from my face in tears,
tears of recognition, relief, remembrance.
Empress of the Americas!
Flags of all colors, North, South and Central,
paraded the aisle with a flourish and a spin, for Her.
Children gazed in wonder, 
shiny black hair beribboned with color.
A man with Her image on his poncho, Juan Diego!
Ready for the North Carolina cold.
“Que Viva la Reina de America!” (Viva!)
“Que viva la Morenita Virgencita!” (Viva!)
Tears on my face, my soul leaping, 
the parade continued before Her,
teenagers with boxes full of roses,
young men leaping, feathers flying,
all for Her, and there She is smiling,
my soul weeping, all of us cheering,
a glad returning to this night for Her,
for all of us, for the beauty of the world,
for the healing,
La Reina de America.

Annelinde Metzner
Feast of Our Lady of Guadalupe
December 12, 2016

Aztec dancers

School children perform for Her

Carrying Her in a procession